How to Deal With Problematic Dance Parents

In the competition dance world, with its high stakes and high tensions, difficult parental behavior—from complaining about scoring to offering unsolicited corrections—is especially common and can be seriously disruptive. Yet most dance parents believe they’re acting in their child’s best interest. So what can studio owners, competition directors, and students do to navigate problematic parent situations with grace and respect?

Setting the Stage

Dr. Chelsea Pierotti. Photo by Bree Vinston, Courtesy Pierotti.

To prevent blow-ups, Larkin Dance Studio co-owner Michele Larkin recommends establishing expectations early. “We have a parent meeting before our season even starts,” she says. There, she encourages parents to communicate concerns, but she also asks that they assume positive intentions so everyone can work together to solve problems. Mackenzie Larkin Symanietz, Michele Larkin’s niece and fellow teacher, asks parents to wait 24 hours after (non- time-sensitive) issues occur before having a discussion with studio leadership. “The worst conversations happen in the heat of the moment,” Symanietz says.

The nature of competition dance means outcomes like winning awards or scholarships are far more visible than day-to-day growth, making it easy to fall into the comparison trap. When parents file complaints rooted in comparison (“Why is Susie in the advanced competition number when my child is technically stronger than she is?”), Dr. Chelsea Pierotti, a professor of sports psychology at the University of Colorado, Boulder, recommends having a script ready. Saying some- thing like “I don’t talk about other people’s children, and I hope you appreciate that I wouldn’t talk about your child to another parent, but I’m happy to talk about how your child is doing” shifts the focus to growth. That can help make the conversation productive rather than gossipy, Pierotti says.

Turning Tension Into Teamwork

When parents act in an overbearing way, Pierotti believes it’s sometimes because the dance-parent identity is deeply tied to their sense of purpose. She recommends that teachers offer up alternative ways parents can support their children, such as helping to prepare their costumes or providing snacks for the competition team. “That way, they can continue t be a competition dance parent, without exacerbating the problem,” she says. A little perspective is healthy, too: If complaints from parents are routine and feature common themes, it might be worth reconsidering the studio’s conduct or policies.

It can be difficult for students with parents who mean well yet behave harmfully to address the conflict. A good start, Pierotti says, is for the student to be honest with their parents about their feelings: “I know you’re trying to be invested, but when you bring up how I compare to the dancer I’ll be competing against, it makes me more nervous, and I want to focus on myself.” In more extreme situations, bringing in a teacher or another trusted adult to mediate the conversation can be necessary.

Diffusing Difficult Conversations

Competition directors, judges, and faculty also often face sticky situations with parents. New York City Dance Alliance guest faculty member and judge Gracie Anderson has discovered that a combination of real talk and vulnerability can help defuse tensions. When she received a message from a disgruntled competition parent regarding perceived favoritism, she addressed the problem by kindly correcting any untrue assumptions, and clarifying elements of her role as a judge/ teacher that may have been misconstrued. Then, recognizing the parents’ concern for their child and the disappointment they felt that weekend, she shared pieces of her own story.

Gracie Anderson teaching at New York City Dance Alliance. Photo by Evolve Photo and Video, Courtesy Anderson.

“Growing up, I never made the top 30 at competition until I was a senior,” she told them. “Look at me now! Hard work pays off, but positivity and making the best of every rejection, frustration, and situation is key.” The candid exchange resulted in an apology from the parent.

By setting boundaries, focusing on growth, and reframing frustrations, industry leaders can work with parents to create a positive, supportive environment for young dancers. Inappropriate parental behavior at competitions often stems from the parent’s desire to see their child succeed—a goal shared by educators. “Remind parents that you are allies, and you each want the child to love dance, have fun, and grow,” Pierotti says.

The post How to Deal With Problematic Dance Parents appeared first on Dance Teacher.

Tapas Das: Tapas Das, a young entrepreneur of our times started TWIST N TURNS in 2005. A person who is kind, generous, creative and down to earth wanted to start his own one of a kind dance academy. According to him, Dance is a language of movements that involves space, time and the human body. He was born and grew up in Kolkata, the cultural hub of India. Being appreciated in the field of dance all his life, he is extremely talented. He has been dancing since the age of four. Once he finished his high school, he learned jazz/modern and contemporary dance. His horizons were broadened even more when he started dancing Bollywood with Beat Busters for 4 years, which then was the most upcoming dance crew in Kolkata. After that exposure, he studied how to be a dance teacher, which later started helping him impart his knowledge about dance. Thus, in 2005, with the help of family and friends, he started TWIST N TURNS. Starting with a mere number of 40 students, today TWIST N TURNS currently has over 500 students. Over the time Tapas has taught and performed all over the country. He has performed in cities such as Kolkata, Delhi, Chennai, Jhansi, Jaipur, Jodhpur, and Udaipur etc. He has been an active participant in the Salsa India Congress in the cities of Bangalore and Bombay, and he has also visited various International Salsa Congresses in Europe, namely in Berlin ,Singapore, Hong Kong,Dubai. He is been also trained recently at Broadway Dance Center (New York), Alvin Alley (New York) and Steps on Broadway (New York). He is not only a dancer or teacher. He is a successful choreographer and has coordinated various shows without difficulty in our country. His leadership skills are exceptional, thus he is where he stands today. His aim in life would be to become a dance educator. He wants to share his tremendous knowledge in the right way to the right people. He is also, simultaneously running other brands like Zumba Kolkata, Bollywood Studio ArtistWala.com and India International Dance Institute.

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