Sometimes the Best Way to Move Forward Is to Stop Dancing

I’ve been an anxious person and a perfectionist for as long as I can remember. I was devastated over an A-minus on a test, I would stretch until I cried, I would go over a dance I knew well a million times consecutively before going onstage, and my brain concocted endless worst-case scenarios. As a child, I didn’t understand what anxiety was; I also didn’t understand that it can reach a level that exceeds a body’s capacity to manage it.

I began dancing at the age of 3 and continued through my high school graduation. In 2014, I moved to New York City to attend Pace University’s commercial-dance program. Shortly after that and prior to graduating college, I booked my first professional show dancing as a Radio City Rockette. When I began Rockettes rehearsals, I was simultaneously finishing college and maintaining my status as a full-time student. While my anxiety and perfectionism followed me from a very young age, I began experiencing anxiety and depression physically during this period.

I started to have massive panic attacks and bouts of depression that kept me from getting out of bed. I started to fear auditions, performances, and even dance classes where people would watch me and think I was getting worse. I would beat myself up for the days that my depression took hold because I had wasted the time I could have been using to train.

Often, as a dancer, you learn to push through. It’s looped into talks about work ethic and moving forward despite any sort of obstacle. “Put your head down and work hard, leave it at the door, no excuses” is what I heard constantly in different ways.

Photo by thegingerb3ardmen.

Fast-forward to my sixth season dancing as a Rockette: I’d been pushing through it all and forcing myself to stuff my anxiety away, deep down. We had moved from the rehearsal room and onto the stage, preparing for the show to soon open. Suddenly, and much to my confusion, I couldn’t swallow. My body just wouldn’t allow it. I couldn’t eat, and I was struggling to get sips of water down. I also began dissociating during rehearsals. I would begin a dance number and slip into what almost seemed like subconsciousness. Suddenly, I’d be at the end of the dance, with very little awareness of what had just occurred. All of this chaos sent me into panic attacks that I tried so hard to hide, but my ability to do so was slipping away.

In the middle of what felt like an absolute tornado, there was this voice inside of me yelling at me to “STOP.” In that moment, and from a place deep in my gut, I made the difficult, but immediate, decision to withdraw from the show. I knew something was wrong and that I needed help.

What I’ve learned is that I became stuck in my body’s fight-or-flight mode. When a person’s body is activated in this way, some processes of the body are put on reserve for the body to focus its energies in other places, like giving muscles extra power to evade danger. One of these paused processes is digestion, and when it goes on reserve, the esophagus contracts. If the body remains in this fight-or-flight mode, the esophagus remains contracted and the brain does not register that there is enough room to swallow.

When this was explained to me, I felt sudden relief. I felt seen and understood and not crazy. I was able to receive medication and therapy that helped my body recover. I began learning ways to manage my perfectionism and depression. If I hadn’t stepped away, my body and mind would not have been able to heal, and things would have progressed to a very dangerous point.

Photo by Jon Taylor.

The glorified mentality of pushing through hard times and not giving up that we often learn as dancers was such a hurdle for me at first because, when stepping away from my job, I felt like a failure. I felt embarrassment and shame. I wanted to hide. However, what I learned is that sometimes the unequivocal answer is to stop—and stopping does not mean failing.

Our mental and physical health are much more important than any job, any success, or any opportunity. I teach so many young dancers now, and if I can pass on one thing, it’s to normalize and talk openly about mental health. I still believe in working hard and developing the drive to power through feelings of nerves and fatigue. That’s what makes us athletes. But not when it compromises our mental health and well-being.  

The post Sometimes the Best Way to Move Forward Is to Stop Dancing appeared first on Dance Spirit.

Tapas Das: Tapas Das, a young entrepreneur of our times started TWIST N TURNS in 2005. A person who is kind, generous, creative and down to earth wanted to start his own one of a kind dance academy. According to him, Dance is a language of movements that involves space, time and the human body. He was born and grew up in Kolkata, the cultural hub of India. Being appreciated in the field of dance all his life, he is extremely talented. He has been dancing since the age of four. Once he finished his high school, he learned jazz/modern and contemporary dance. His horizons were broadened even more when he started dancing Bollywood with Beat Busters for 4 years, which then was the most upcoming dance crew in Kolkata. After that exposure, he studied how to be a dance teacher, which later started helping him impart his knowledge about dance. Thus, in 2005, with the help of family and friends, he started TWIST N TURNS. Starting with a mere number of 40 students, today TWIST N TURNS currently has over 500 students. Over the time Tapas has taught and performed all over the country. He has performed in cities such as Kolkata, Delhi, Chennai, Jhansi, Jaipur, Jodhpur, and Udaipur etc. He has been an active participant in the Salsa India Congress in the cities of Bangalore and Bombay, and he has also visited various International Salsa Congresses in Europe, namely in Berlin ,Singapore, Hong Kong,Dubai. He is been also trained recently at Broadway Dance Center (New York), Alvin Alley (New York) and Steps on Broadway (New York). He is not only a dancer or teacher. He is a successful choreographer and has coordinated various shows without difficulty in our country. His leadership skills are exceptional, thus he is where he stands today. His aim in life would be to become a dance educator. He wants to share his tremendous knowledge in the right way to the right people. He is also, simultaneously running other brands like Zumba Kolkata, Bollywood Studio ArtistWala.com and India International Dance Institute.

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