With a focus on Shiva
Anwesha Das presented a traditional margam for her concert at Kartik Fine Arts’s 2024 Margazhi…
2 weeks ago
Upcoming Dates
How Aditi Mangaldas seeks freedom on stage with her Kathak-inspired contemporary works
The dancer-choreographer will present ‘Unwrapped’ at The Music Academy’s annual Usha Marti Subrahmanyam Endowment show
2 weeks ago
Introducing Dance Magazine’s 2025 “25 to Watch”
Where is the dance field headed next? The dancers, choreographers, directors, and companies on Dance Magazine‘s…
2 weeks ago
A New Fellowship Launches for Sarah Lawrence’s MFA in Dance
There’s a new fellowship opportunity at Sarah Lawrence College’s renowned Master of Fine Arts in…
2 weeks ago
The Royal Academy of Dance Receives Sir Kenneth MacMillan’s Archive
The historic materials left behind by British ballet legend Sir Kenneth MacMillan have a new…
2 weeks ago
Quitting Your Teaching Job to Open Your Own Studio
Opening a dance studio may seem like a straightforward endeavor if you’re passionate about teaching,…
2 weeks ago
Letter From the Editor: Welcome to 2025, Dance Teachers!
Happy New Year, dance teachers! As you head back to the studio after a much-needed…
3 weeks ago
How music is crucial to the success of a Bharatanatyam performance
From the days of the nattuvanars to now, dancers have always taken great efforts to…
3 weeks ago
Srikanth and Aswathy’s well-crafted ‘Paraaparame’
Inspired by the theme of the Pranas, the duo performed for the Narthaki Nataraj-curated Natya…
3 weeks ago
The Pros and Cons of Competing Independently
Most dancers who participate in competitions and conventions attend with a dance studio. But each…
3 weeks ago